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Foi Creuse et Paroles Fatales : Le Modèle Psychologique de Ioudouchka
Le personnage le plus effrayant de la littérature russe du dix-neuvième siècle
Aug 6
•
A. Navruzyan
1
Hollow Faith and Fatal Words: The Psychological Blueprint of Judushka
The most frightening character in nineteenth-century Russian literature
Aug 6
•
A. Navruzyan
6
July 2026
Dinner with Dostoevsky
While the big five novels of Fyodor Dostoevsky, Crime and Punishment, The Idiot, Demons, The Adolescent, and The Brothers Karamazov, process philosophy…
Jul 25
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A. Navruzyan
9
Vassa Zheleznova, la matriarche de fer
Comment Gorky est allé au-delà d'une maison de poupée
Jul 14
•
A. Navruzyan
Vassa Zheleznova, Iron Matriarch: How Gorky Went Beyond the Dollhouse
Maxim Gorky presents a complex portrait of female power and systemic decay in his play Vassa Zheleznova. The titular character protects her family and…
Jul 14
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A. Navruzyan
2
June 2026
Hello, so what did you think of The Kreutzer Sonata?!
The literary bomb of 1889
Jun 30
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A. Navruzyan
2
Maxim Gorky's Children of the Sun
Viewing Maxim Gorky solely as a communist mouthpiece overlooks his nuanced understanding of the Russian peasantry, whose strengths and flaws he observed…
Jun 29
•
A. Navruzyan
1
Comedies of Menace: Gorky vs. Pinter
To fully appreciate the 1975 Maly Theatre production of Maxim Gorky’s The False Coin (Фальшивая монета), it is highly effective to move past traditional…
Jun 14
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A. Navruzyan
3
1
The Echoes of Ivanov and Bunin
In 1930, the exiled Russian poet Georgy Ivanov wrote an agonizing yet hauntingly beautiful poem. Хорошо, Что Нет Царя. Хорошо, что нет Царя. Хорошо, что…
Jun 13
•
A. Navruzyan
1
The Russian Revolution as a Catalyst for Artistic Transformation
The Russian Revolution of 1917 dismantled imperial structures and demanded a radical restructuring of cultural life.
Jun 3
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A. Navruzyan
2
May 2026
La fin de la censure et la mort du sous-texte
Quiconque connaît le cinéma soviétique, en particulier ceux qui parlent russe, lèvera les yeux au ciel, car ce que je vais dire est tellement banal et…
May 24
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A. Navruzyan
End of Censorship and the Death of Subtext
Everyone familiar with Soviet cinema, particularly those who speak Russian, will roll their eyes because what I am about to say is so banal and obvious.
May 24
•
A. Navruzyan
2
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